The Pair-O-Dice on Highway 91
Photo courtesy Leaving Las Vegas
In 1931 gambling was legalized in the state of Nevada in
an attempt to lure people to the State but Las Vegas still remained a dusty saloon town full
of small-time gambling operations. In 1938, the corrupt commander of the
L.A.P.D. vice squad with ties to the underworld and organized crime was
forced to resign his post and flee to Las Vegas to avoid facing possible
legal action. McAfee bought a small 1930’s built night club/gambling hall called
the Pair-O-Dice on Highway 91 from owners Frank
and Angelina Detra which was situated approximately where the north end of the Fashion Show Mall stands today. He starts calling the
string of restaurants and empty desert "The Strip" after his favorite
haunt, the Sunset Strip back in L.A., and in a matter of months the
club is renamed the "91 Club" and becomes Las Vegas' hottest night spot.
The Hotel Last Frontier
Photo courtesy Leaving Las Vegas
In 1941 the 5 acre property, including the “91 Club”, was purchased by
R.E. Griffith and in 1942 the Hotel Last Frontier opened. Competing with the El Rancho, the first resort on highway 91, it featured a large complex of different connected buildings and sprawling courtyards. Besides the 91 Club, the resort featured a roadside pool, 105 room hotel, small casino and bar, and a small show venue. It was the second resort to open on what would become The Las Vegas Strip. The resort offered horseback riding, BBQ’s, line dancing, and other authentic western treats. It really lived up to it’s motto – “The Early West in Modern Splendor!
It played host to many performers, including a young Ronald Regan.1
To his mother, Liberace was always "Walter."
Photo courtesy Liberace Museum
In 1944, while performing at the Mount Royal Hotel in
Montreal, Liberace received a phone call from Maxine Lewis,
entertainment director at the Hotel Last Frontier asking him if he
would be interested in playing Las Vegas. He would. She asked how much
he was currently making. "Seven hundred and fifty a
week," he lied. His salary was $350, but Lewis agreed to $750 per
week. Liberace sized up his first-night audience, and decided to
delete several of the classical pieces, concentrating on boogie-woogie
and popular tunes. The audience went wild, and Maxine Lewis tore up the
$750-per-week contract and gave him a new one for $1,500.2
Last Frontier Village
Photo by Union Pacific R.R.
The Silver Slipper Theater
The Silver Slipper Theater
The 1950’s brought the Last Frontier Village. The Village was a theme park of sorts, featuring a western town Main Street, shops and recreations including an old western post office, general store, a mock jail, a museum with pieces documenting the Las Vegas valley’s growth and Indian roots, as well as the now world famous Little Chapel of the West.1
The Nevada Test Site, approximately 1,375 square miles and larger
than Rhode Island, is about 65 miles northwest of Las
Vegas. From 1951 to 1992 the Nevada Test Site was home to 952 announced
nuclear tests, and many unannounced. In the 1950s mushroom clouds from the tests were regular tourist
attractions in Las Vegas where they could be seen from hotel rooms along
the Strip.
New Frontier Hotel and Casino
Photo courtesy Leaving Las Vegas
In 1955, the New Frontier building was constructed on
the north end of the property, partially taking over the village and
forcing the chapel to make it’s first move (of many) to the southern end
of the property. The New Frontier abandoned the western theme for the
most part, opting for a more modern (space age) feel. The original
resort remained to the south and was kept in use. The roadside pool and
front foliage, however, were replaced with parking.1
Crash Corrigan arrives at the New Frontier Hotel and Casino
Photo by Merle Richards
Keeping with the pace of the Strip, the new building featured a sleek port cohere and a modern
sign of stacked inverted cones which were indirectly lit at night,
standing out in the desert sky. A new pool was built at the rear of the
building to compete with the ever-growing pools of newer resorts such as
the Flamingo which had opened down the road.
The theater restaurant, which boasted a revolving stage, was named the
Venus Room.1
The 50’s also saw the
launch of many careers at the New Frontier including Elvis’ first Vegas
appearance in 1956, Judy Garland’s nightclub debut, and had
already given birth to Liberace’s career and staple
candelabra in 1944.
In April,
Colonel Parker booked Elvis, Scotty, Bill and D.J. for a two week engagement at the New Frontier
beginning on April 23rd. The flyer for the Hotel advertised Freddy Martin
and his orchestra, who were scheduled to do a stage show version of the
Broadway musical Oklahoma! Also on the bill were comedian
Shecky Greene
and as an added attraction, the "Atomic Powered Singer," Elvis Presley.
Since Nevada was the home of Atomic powered testing, Parker thought the
name would be catchy. What Parker hadn't figured on was how an
older, more sedate nightclub crowd would react to Elvis.3
On
April 21, the Las Vegas Sun reported, "The handsome
21-year-old rock 'n' roller's appearance in the latest Sammy Lewis
production is considered to be the Las Vegas entertainment scoop of the
year. The young vocalist will be featured in one of the most
lavish productions ever presented in the Venus Room, Lewis stated.
Freddy Martin and his band, comic Shecky Greene, the Venus Starlets and
a cast of more than 60 performers will make up the entertainment
package."4
Freddy Martin with his band, from the film ''Stage Door
Canteen'' (1943)
Photo courtesy web
While Elvis was already becoming quite popular with teens around the
country, he was not the typical Las Vegas Strip entertainer of the
time and his shows were met with a cool reception. After
the first performance, at which the audience politely applauded, but
showed none of the wild enthusiasm to which they were accustomed, Scotty,
Bill and D.J. knew they were in for a long two weeks.3
Bill Willard, a reviewer for the Las Vegas Sun newspaper, panned the performance writing, "For the teen-agers, the long, tall
Memphis lad is a whiz; for the average Vegas spender or showgoer, a
bore. His musical sound with a combo of three is uncouth, matching to a
great extent the lyric content of his nonsensical songs."4 D.J.
said,
"I don't think the people there were ready for Elvis. He was
mostly for teenagers, kids. We worked with Freddie Martin's
orchestra and here we were three little pieces making all
that noise. We tried everything we knew. Usually Elvis could
get them on his side. It didn't work that time. The Colonel did a
show for teenagers on Saturday, and it was just jam-packed, with
everyone screaming and hollering."3
Willard may have captured the dismay that older Vegas audiences had
with the young upstart, but Las Vegas resident Ed Jameson caught a
vision of the future Elvis would have in Vegas. Penning a rebuttal to Willard's review, Jameson wrote, "He is not a
Rock 'n' Roller nor is he a cowboy singer. He is something new coming
over the horizon all by himself and he deserves his ever-growing
audience. Nobody should miss him. Parents would do well to take their
children to hear him. It would be a good way to get to know and
understand your own kids."4
Liberace, now performing at the the Riviera, attended one of the
performances with his brother George. Afterwards they went
backstage and they hammed it up for the press with Liberace borrowing
Scotty's guitar.
On their off hours the band did
pretty much what they did in any town: they hung out in the bar.
None of them were interested in the casinos. One night they all
went out to check out the other acts on the strip. Performing at the
Sahara lounge were Freddie Bell and The Bell Boys. They had a hit
in 1955 with a song titled "Hound dog" that also had been a hit for R&B
singer Big Mama Thornton. When they heard them perform that night,
they thought the song would be a good one for them to do for comic
relief.3
Freddie Bell and The Bell Boys
Photo courtesy Web
"We loved the way
they did it," says Scotty. "They had a piano player who stood up
and played -- and the way he did his legs they looked like rubber bands
bending back and forth. Jerry Leiber and Mike Stoller wrote the
the song for Big Mama Thornton, but Freddie and The Bell Boys had a
different set of lyrics. Elvis got his lyrics from those guys.
He knew the original lyrics but he didn't use them."3
According to Brian Petersen who wrote "The Atomic Powered Singer",
Elvis' closing performance on May 6, 1956 was recorded and initially
released on "Elvis
Aron Presley," the 8-record box set released in connection with
Elvis' 25th Anniversary with RCA in November 1980. Though he would
later visit often and make movies there it would be at least 13 years
before Elvis would perform on stage in Las Vegas again and by then it
would be without Scotty, Bill and D.J.
The 60’s heralded the end of the Hotel Last Frontier and the Last Frontier Village. The New Frontier expanded it’s hotel to include a 7 story hotel building where the Last Frontier had stood. The addition of tennis courts, a putting green, coffee and steak houses, Olympic size pool, and additional parking updated the resort to again compete with the ever growing competition along Las Vegas Boulevard. The sign was again updated, towering 190 feet and adding and lower marquee and rotating “F” at the top. This is the sign that stands at the resort still, although the “F” no longer rotates.1
Frontier Hotel swimming pool
Photo courtesy Leaving Las Vegas
In 1967 Howard Hughes bought the property and dropped the “New” from the name. Hughes’s reign saw the addition of a second hotel tower which now formed a horseshoe around the pool and tennis courts. He also established the first computerized room reservation system in Las Vegas at the Frontier.1
Rumor had it that Suite 106, Howard Hughes' former
suite, had a hidden tunnel that led to the Desert Inn.
Frontier Hotel and Casino Postcard
Photo courtesy Leaving Las Vegas
In 1970 a live album by Diana Ross & the Supremes was
recorded over the course of the group's final engagement together at
the Frontier Hotel, including the final night on
January 14, 1970. The show marked Diana Ross' final performance with
Supremes Mary Wilson and Cindy Birdsong. At the conclusion of the
show, new Supremes lead singer Jean Terrell was brought onstage and
introduced to the audience.
The
Supremes, Cindy Birdsong, Diana Ross and Mary Wilson - Feb. 1969 Photo
by Evening Standard/Getty Images
Through the 70’s the hotel and casino crawled out of the financial hole they had slowly been sinking into over the years, and the frontier featured many more entertainers in it’s various show rooms and convention space.
In 1982, Siegfried & Roy, who had gained notoriety at the neighboring
Stardust Resort, opened a show at the Frontier which ran through 1988.
In 1990 the resort underwent another remodel, enclosing most of the
balconies on the two hotel towers and adding the 16 floor Atrium Tower
where the pool house and tennis courts once stood.1
Frontier Hotel Atrium Tower
Photo courtesy Leaving Las Vegas
In 1991 Margaret Elardi bought resort and had many plans, but ran
into some trouble with the Culinary Worker’s Union in September of that
year, causing one of the longest continuous strikes in history. During
the time picketers marched outside the resort and harassed patrons, both
inside and out, The Hacienda, Dunes, Sands, and Landmark casinos were
all closed and demolished.1
New Frontier Hotel and Casino
Photo courtesy Leaving Las Vegas
The strike ended in 1997 when Phil Ruffin purchased the resort and changed the name back to The New Frontier. The resort has undergone few changes since it's 1990 remodel, only adding different food venues and convention rooms, and also the widely flocked to Gilley’s, a country western bar with a mechanical bull and mud wrestling.1
Gilley's was a spin-off of the Texas saloon in the movie "Urban Cowboy"
and was the site of the Venus Room.
In 2007 the property was purchased by a large corporation and plans were made to close and demolish the casino for yet another mega-resort on the Las Vegas strip. The 34.5 acre property that held The New Frontier and formerly the Silver Slipper casino was sold for
approximately $1.2 billion. On March 16th employees were given 60 days notice that after 65 years the property would be closed for good. The casino closed it's doors at midnight on July 15th and an auction was held the following week.1
The closing of The New Frontier is bittersweet. By the end, the property lost most of it's charm. Generic coin cups, ashtrays, pens, and assorted other items replaced The New Frontier themed ones. The Atrium Tower which when opened was a beautiful sight, with flowers and plants lining every floor, had fallen into despair, and the other two hotel towers were rumored to have bedbug problems. Even still, she had a very loyal following with people returning year after year. The bingo parlor was the last on The Strip, the rooms were cheap but nicely (and sparsely) appointed. The employees were even more loyal than the guests, some having served for over 40 years.1
Photo by Isaac Brekken / Associated Press
On
November 13, 2007 at 2:30 AM the New Frontier Hotel's Atrium Tower was imploded with
over 1,000 pounds of explosives before a group of reporters and
bystanders to make way for a multibillion-dollar resort which is set to
open in 2011.
Liberace and his brother George visit Elvis backstage at The New
Frontier
Freddy Bell & The Bellboys - Giddy Up A Ding Dong (1956)
Implosion of the Atrium Tower
"The glow of an atomic bomb test at Yucca Flat, Nevada, 65
miles [104.6 kilometers] away, draws Las Vegas casino workers on March
17, 1953. [National Geographic magazine's] Sam Matthews
watched from a tarpaper-lined trench just two miles [3.2 kilometers]
from the explosion. 'The atomic fireball rose in the sky, a giant
sphere of orange and black, tongues of fire amid billowing soot,' he
wrote. Though this photo was probably shot for his June 1953 article
'Nevada Learns to Live With the Atom,' it has never before been
published in the magazine."
—From Flashback, November 2002, National Geographic
magazine
Photograph by Volkmar Wentzel
All photos on this site (that we
didn't borrow) unless
otherwise indicated are the property of either Scotty Moore or James V.
Roy and unauthorized use or reproduction is prohibited.