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The Studios
No Studio worth its salt has
parallel surfaces, since the sound waves tend to bounce back into
themselves, resulting in a mire of "standing waves." Tutti
Camarata
from "The
Temples of Sound" "Historically,
Recording had been the tributary that fed the twin rivers of Film and
Radio. There is perhaps no single media outlet today that rivals the
importance of radio in the first half of the last century. Not only were
many of the first radio stations de facto recording studios, the
consoles and the engineers were likewise products of some thin frequency
on the dial. And film had always been years, if not decades, ahead of
the recording industry's technology (Consider: Fantasia, from
1939, was recorded in an early form of surround sound.)" - Jim
Cogan Certain studios in recording history stood out for
their uniqueness and reputation for churning out hit records. Aside from the
talents of the performing artists, producers and engineers some factor has to be
attributed to the actual studio itself for the resultant
quality of sound. Throughout Scotty's career he's had the
opportunity to be affiliated with several. Its beyond the scope of
this section to list all the great studios, the thousands of songs that were recorded in
them, or even the hundreds that Scotty played on*. Rather, in this
section we'll cover some of the histories, design, equipment and
associations of some of the studios that Scotty has recorded and/or produced and
engineered in. Sun Record Company
RCA Victor - 1525 McGavock
St.
RCA Victor Studio A New York
Radio Recorders
Fernwood Records (planned)
RCA Victor Studio B Nashville
Sam Phillips Recording
Service (planned)
Music City Recorders (planned)
*****
CBS TV Studio 50 (The Ed Sullivan
Theater)
* Though we can't attest to its accuracy,
a lot of info regarding "Elvis Presley Studio Recordings" has
been compiled and can be found at the Master
& Session website (www.elvisrecordings.com), in the
book "Elvis
Presley: A Life In Music" by Ernst Jorgensen and the extremely
comprehensive website by Keith Flynn at
www.keithflynn.com |