Fender Bassman Amp


Bill Black using Fender Bassman with Elvis in Tampa, Fl August 5, 1956
Photo© courtesy Bob Moreland

Early on the band was dependent (hopeful) on the venue providing a PA system with one microphone for vocals and one for Bill's bass.  If not he was required to play as loud as possible.  As the crowds grew larger (and louder) and with the addition of DJ on drums that was naturally not sufficient.  Early in 1956, reputedly May 24, a Fender Bassman Amplifier was obtained by the O.K. Houck Piano Co in Memphis for Bill for $355.50.  At some point he also got an Ampeg microphone to amplify his bass.


Pictured is a 1960 Fender Bassman Amp similar to Bill's mid 50's
found online at the The Fender Amp field guide

The narrow panel Fender Bassman amplifier was manufactured from 1955 to 1960.  The 5E-6A model was made from 55-57 (most likely Bill's).   For controls it had a Ground Switch, Fuse (3A), Power Switch, Standby Switch, Pilot Lamp, Presence, Bass, Treble, Volume, Volume, Normal In and Bright In.  It was equipped with 4 x 10"/2 ohms (8 ohms each in parallel)" Jensen P10R or Jensen P10Q speakers, 2 x 12AY7 and ½ 12AX7 preamp, 2 x 6L6G power tubes,  2 x 5U4GA rectifier, a ½ 12AX7 (split-load)  phase inverter and produced 40-50 Watts output watts in a narrow panel, closed back w/ 2 ports, 23" x 22½" x 10½" (58.4 x 57.2 x 26.7 cm) solid pine cabinet.  It weighed 47 lbs.

 
Home History Discography Scrapbook Guitars etc... The Studios

The Venues

In the Press Tour Dates Links Guest Book Autographed CDs & more... Search

This site created and managed by James V. Roy for Scotty Moore with the sole intent to help promote the arts and history of American popular music and Scotty's major role in it. Every attempt was made to give credit for any images or text borrowed from the World Wide Web and we greatly appreciate the use of it.  Technical difficulties or questions dealing with this Server should be addressed to the Webmaster. Copyright © 2002, 2008